Category: Instruments

Search a reservoir of Indian theses: Shodhganga, “a platform for research students to deposit their Ph.D. theses – Open access

e.g. search for “Shodhganga Carnatic music”, “Shodhganga veena”, “Shodhganga bamboo flute”, “Shodhganga Indian music education”, “Shodhganga music bani”, “Shodhganga percussion instrument” in the search field below: Track missing details for search results Note: search results appear without much delay. More

On the tanpura / tambura – Martin Spaink

Martin Spaink (Amsterdam) has earned a name for himself as a leading tanpura expert. Read more on the finer points of tanpura playing, stringing, tuning, maintenance, restoration and playing techniques: fine-tuning of a tanpura Debate on “Meta Tuning Of Tanpura“ e-mail: martinspaink@yahoo.com

“What Ragam Are You?” Absorbing the essence of ragas with a personal touch, literally! – YouTube

Nagasvaram (nadaswaram): The “auspicious” wind instrument without which no festive occasion is ever complete

Aparna Karthikeyan, The Hindu, April 11, 2015 | To read the full story and view more photographs, click here >>  It takes many days to make a block of wood sing. And it takes exceptionally talented craftsmen to do it. The four

Tip | Nagasvaram Festival recital by Karukuruchi P Arunachalam: High pitch with rarely heard “ottu” drone

Life-giver and soul of Indian music: The Tambura (tanpura) according to T.M. Krishna

In his recent book, A Southern Music: The Karnatik Story, T.M. Krishna reflects on those misconceptions and stereotypes that stand in the way of truly appreciating South Indian music. He reiterates the unique role played by the (acoustic) tambura / tanpura

“Only a tambura can bring in a tranquil aura”: Musicians comment on the convenience and compromise of digital tanpura

Ranjani Govind, The Hindu, Bangalore, April 26, 2011 The four strings of the tambura that provide sruthi or the basic swara (pitch) for musicians are considered the life force for any melodic exercise. Fixed in jack wood to enhance the naada,

Tambura / Tanpura “tree of enlightenment” for Mallikarjun Mansur

N. Manu Chakravarthy, The Hindu,  September 22, 2011 It [2011] is the centenary year of the legendary Jaipur-Atrauli musician Mallikarjun Mansur. Unravelling the individual genius of the maestro is also the study of a living tradition It is not easy to

Sreevidhya & N Chandramouli – vina duo and violin

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Weighty rendition by new generation of Karaikudi vina tradition

Kapila & Sushruta, sons and disciples of Sreevidhya Chandramouli, perform “Sarasiruhasana” (Nata raga, Adi tala); a kriti composed by Puliyur Doresvami. Recorded on the occasion of Dhvani’s Carnatic Composers’ Day 2012 More video contents by Dhvani >>

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