Whatever one’s personal background and aspirations may be, Carnatic music remains a quest for undiluted aesthetic experience (rasa). Three basic concepts are essential. Read the brief introduction for more! Also read the course overview if you prefer a more systematic approach.
Flow | Practicing “mela pairs”
A challenge to enjoy on a daily basis (30 min.): Select a popular melakarta raga to get into the "flow" >>(e.g. the 65th Mecakalyani) before exploring others (01 to 72) in 36 daily sessions, over and over again – Happy Flowing! Over a longer period, start each practice session with a mela having Prati Ma for …
Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered
“Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered” by Ludwig Pesch (Amsterdam) in Music – Politics – Identity published by Goettingen University Music always mirrors and acts as a focal point for social paradigms and discourses surrounding political and national identity. The essays in this volume combine contributions on historical and present-day questions …
Open access version (text and audio files): The goddess Māriyammaṉ in music and in sociology of religion
The Goddess Mariyamman in Music and in Sociology of Religion by Pia Srinivasan Buonomo & S. A. Srinivasan >> Listen to the four recordings here; and download the audio and text files onhttps://archive.org/details/mariyamman-in-music >>