by Ludwig Pesch Carnatic music – the classical music of South India – unites people from a variety of social backgrounds. Over two hundred fifty million people now inhabit a region that comprises five modern states (Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, and Telangana) drawn up on the basis of their respective linguistic majorities. They take pride …
Continue reading “A music for all: How Carnatic music unites and keeps spreading”
https://www.youtube.com/embed/Qd6DRL-2XkY Gudu Gudu makes wonderful listening, time and again. A rendition by Sreevidhya Chandramouli along with her husband and son as part of their ongoing KaraikudiVoyage. This song encapsulates the healing power of music waiting to be brought into practice on a more regular base for being rooted in tradition at its very best. Translation …
Ethnomusicology can be considered as the holistic and cultural study of music existing in various folk, tribal and other ethnic societies. Details Ethnomusicology can be considered as the holistic and cultural study of music existing in various folk, tribal and other ethnic societies. The discipline ethnomusicology deals with the study of music from a social …
Continue reading “Indian music studied from a social and intercultural perspective”
Mridangam vidwan Umayalpuram K. Sivaraman © The Hindu Sampradaya is like a broad river and the bani is a tributary. It is born out of creativity and sustained when creativity combines with novelty, while based on the core principles. It should be aesthetically beautiful and serve as something new for present and future generations to work …
Whatever one’s personal background and aspirations may be, Carnatic music remains a quest for undiluted aesthetic experience (rasa). Three basic concepts are essential. Read the brief introduction for more! Also read the course overview if you prefer a more systematic approach.
