A challenge to enjoy on a daily basis (30 min.): Select a popular melakarta raga to get into the “flow” >>(e.g. the 65th Mecakalyani) before exploring others (01 to 72) in 36 daily sessions, over and over again – Happy Flowing! Over a longer period, start each practice session with a mela having Prati Ma for …
Category archives: Experience
What’s the difference between Hindustani and Carnatic music?
At first, this question seems easy to answer: just watch performers from either strand of Indian music and you’ll know Which is Which, merely going by the instruments in use, or how they dress and watching the body language involved: harmonium or sarangi vs. violin for melodic accompaniment for most vocal recitals, and tabla drums …
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Video | Keeping tala with hand gestures: Adi (8 beats) & Misra chapu (7 beats)
Adi tala (8 beats) demonstrated by T.R. Sundaresan https://youtu.be/1nuVVk7nn8g Adi tala (8 beats) solo by T.R. Sundaresan Misra chapu tala (7 beats) performed as konnakkol by T.R. Sundaresan
“Bhava” and “Rasa” explained by V. Premalatha
“Rasa is realised in from the combination of the sthāyibhāva (permanent and dominant emotional mood) with the vibhāva-s (the objects of emotions such as the hero and the heroine, and the exciting causes such as the spring, flowers, moonlight and the bower), anubhāva-s (the external manifestations of emotions such as the movement of the eye-brows, …
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Why Carnatic Music Matters More Than Ever
by Ludwig Pesch For this musicologist and author, there are good reasons to believe that Carnatic music matters, perhaps more than ever and almost anywhere in the world. So why not perform and teach it in the service of better education for all, for ecological awareness or in order to promote mutual respect in spite …
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