Music by T.R. SundaresanConcept by Ludwig PeschInspired by a conversation on the subject of ‘korvai’ with the late Sangita Vidwan S. Rajam Cosmic_Order_Cosmic_Play-Ludwig_Pesch_KIT2001_webDownload Originally published in 2001 by KIT Publishers in Rhythm, A Dance in Time by Elisabeth den Otter (ed.) in conjunction with the exhibition titled “Ritme, dans van de tijd” at the Tropenmuseum …
Continue reading ““Cosmic Order, Cosmic Play: An Indian Approach to Rhythmic Diversity””
Is tradition set in stone? Is not change even within a musician’s lifetime in the natural order of things? Does custom or convention in musical practice have to be held sacrosanct at the cost of organic modification or adaptation?An artiste creates and modifies, subtly or otherwise, his or her style for several reasons – physical, …
WEBINAR – THE AESTHETICS OF VARNAM IN KARNATIC MUSIC Sat, 30 July | 2 pm – 3.30 pm (BST) / 6.30pm (IST) | £10 STELLA SUBBIAH (Artist Development Lead, Bhavan London) In conversation with LUDWIG PESCH (Author of The Oxford Illustrated Companion to South Indian Classical Music) VIGNESH ISHWAR (Musician) Today, as in the remote …
Mahatma Gandhi stamp set | Mahatma Gandhi and music >> The challenge of going beyond a “narrow understanding of classical” music has long been debated among performers and musicologists; whether for the sake of creativity and self-expression or ideals like “serving society through music”, even harnessing the healing power of music where most needed. So what about …
Continue reading “A lesson (thought experiment) inspired by Gandhi’s understanding of music”
In this part, I quote from my recording with S. Rajam on T.N. Rajarathinam Pillai, done in early 2007 [brief excerpts] “Carnatic music grew because of the nagaswaram. Our art originated in the temples — especially, dance and nagaswaram. During the daily three-time worship at temples, the nagaswaram would be played all the times. Source: …
