What is the Katapayadi sutra?

The Kaṭapayādi sūtra is an aid to memory or “mnemonic system”. 

Its name corresponds to a “thread” (sūtra), here provided by the initials of four sets of letters within the Sanskrit alphabet: 

Ka Ṭa Pa and Ya

A total of 33 letters are distributed among ten numbers including 0 (zero): 
K (1st) to 9 (nava = 9) + 0 = 10,  (1st) to 9 (nava = 9) + 0 = 10, P (1st) to 5 (pañca = 5) = 5, Y (1st) (aṣṭa = 8) = 8

Note:

  • each letter is associated with a particular number from 1 to nine or 0 (zero)
  • there being more letters than numbers, each number corresponds to several letters: 
    four letters (1, 2, 3, 4, 5)
    three letters (6, 7, 8)
    two letters (0)  
  • not all the available letters serve as key syllables in Govindachari’s scheme of 72 mēḷakartā ragas (e.g. only “N” and “S” are used to indicate “0” and “7” respectively)((The theorist and composer of the 17th-18th c. credited with establishing Vijayanagar culture at the Nāyak court of Tanjāvūr; author of a treatise titled Samgraha cūdāmani))

For details please refer to the file attached below (PDF, 145 KB)

Tip
This website offers many resources for free (see menu for details): to learn more about the above mentioned composers and scholars, the places where they flourished; and about the musicians who tread in their footsteps today.

Enjoy your exploration of a wonderful music!

Memorize the 72 melakarta ragas: free Anki flashcards

Download the updated set of 72 anki flashcards “Mela-Memorization-CarnaticStudent-72.apkg” here >> (version 2 December 2020)

Learn more about the 72 melakarta ragas >>

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Video | The idea of classifying ragas – Akshara & Kiranavali Vidyasankar

Akshara Samskriti is the daughter of Carnatic musician Kiranavali and scientist-philosopher, Vidyasankar Sundaresan. This video was recorded on Nov 1, 2013, when Akshara was 4 years old. It was originally in multiple parts for educational video compilation, and has been put together as a single video here.

The 72 Melakartas are regarded as the parent scales in Carnatic music and serve the purpose of grouping similar sounding ragas/scales in the same category. It also helps create new scales which can then potentially evolve into full-bodied ragas.

The idea of classifying ragas that sound similar has existed over many centuries and were taken to a more definitive stage by 17th century musicologist Venkatamakhin. It was fine tuned further by Govinda to its present and more popular form. Nevertheless, the Melas propounded by Venkatamakhin continue to stay in vogue primarily through the compositions of well-known Carnatic composer, Muttuswami Dikshitar.

More on and from Kiranavali Vidyasankar: www.kiranavali.net >>

Rabindranath Tagore sketched by Dutch artist Martin Monnickendam during a lecture tour in September 1920 © Stadsarchief Amsterdam

The world of sound is a tiny bubble in the silence of the infinite. The universe has its own language of gesture; it talks in the voice of pictures and dance. Every object in the world proclaims in the dumb signal of lines and colours, the fact that it is not a mere logical abstraction or a mere thing of use, but it is unique in itself, it carries the miracle of its existence.–Rabindranath Tagore quoted by Dinkar Kowshik in

Doodled Fancy, Visva-Bharati, Santiniketan 1999, p. 8

Related post
“Sampradaya is like a broad river and the bani is a tributary”: Umayalpuram Sivaraman on his 75 years of performance >>

Information about the persons, items or topics

Learn & practice more

Learn to distinguish and remember the 72 melakarta ragas – free course

https://www.carnaticstudent.org/service/free-melakarta-raga-course/

Click the above link to participate – for free!

Learn more about the above teachers – both regarded as legends in their own lifetime – on Wikipedia and here:
Vidya Shankar (1920-2010)
https://www.thehindu.com/features/friday-review/music/Art-and-science-converged-here/article16181169.ece

S. Rajam (1919-2010)
Remembering S. Rajam by S. Janaki (Executive Editor, Sruti magazine)
http://www.varalaaru.com/design/article.aspx?ArticleID=971

Related post
https://www.carnaticstudent.org/melakarta-raga-application/

“Sri Saraswathi Chakra”: Understanding the melodic concepts of Carnatic, Hindustani and Western with the help of an innovative 72 Melakarta wheel

Melakarta_72CHAKRA-LS_RameshMany Carnatic ragas have their counterparts in western Music […] L.S.Ramesh, a Post Graduate from the reputed Indian Institute of Technology-I.I.T.Madras, has designed an Innovative Carnatic Music chakra (Sri Saraswathi 72 Melakarta chakra). […] This chakra requires no prior knowledge and has been appreciated by Music legends Dr. Mangalampalli Balamuralikrishna,Prince Rama Varma, Shri. Garimella Balakrishna Prasad (Annamacharya project Director-Tirumala Tirupathi) and others.

MORE INFORMATION ON THE WEBSITE OF THE FACES MOVEMENT http://www.faces108.com >>

Mr. Ramesh and his wife Mrs. Sridevi use the money generated from sale of this Sri Saraswathi 72 Melakarta chart to help underprivileged children through FACES (Food, Aid, Clothing, Education, Shelter); a Service started by this couple.

E-Mail to faces108@gmail.com
Contact: 09445360139