Kapila & Sushruta, sons and disciples of Sreevidhya Chandramouli, perform “Sarasiruhasana” (Nata raga, Adi tala); a kriti composed by Puliyur Doresvami. Recorded on the occasion of Dhvani’s Carnatic Composers’ Day 2012
Category archives: Course topics
Video | Documentary on S. Rajam singer, scholar, teacher and painter
S.Rajam is a multifaceted genius with creative talents in a variety of fields such as music, musicology, classical painting and acting. In the field of music, S. Rajam is an unparalleled authority on Vivadi ragas and has done much to popularize Koteeswara Iyer’s kritis. He has the distinction of being the only musician to have …
Continue reading “Video | Documentary on S. Rajam singer, scholar, teacher and painter”
The first Sabha of Madras
One of the earliest attempts to make the British appreciate Carnatic music was initiated by Gayan Samaj.Had the Madras Jubilee Gayan Samaj been around, it would have been 125 this year, though it began at least four years earlier under a different name. That certainly makes it the mother of all Sabhas that have been …
Paper and Lecture Recital – 15th International Conference of the Gesellschaft für Musikforschung Goettingen
Music | Musics. Structures and Processes15th International Conference of the Gesellschaft für Musikforschung GoettingenPaper and Lecture Recital by Ludwig Pesch & Manickam Yogeswaran Unity in diversity, antiquity in contemporary practice? A fresh look at South Indian music The music of South India or Carnatic music is an amalgam of regional traditions and practices and became increasingly codified …
Paper and Lecture Recital at the International Congress of the Gesellschaft für Musikforschung
Music | Musics. Structures and Processes 15th International Conference of the Gesellschaft für Musikforschung Goettingen Title of the presentation by Manickam Yogeswaran & Ludwig Pesch: “Unity in diversity, antiquity in contemporary practice? A fresh look at South Indian music” Read more >>