Oral transmission vs. notation in Carnatic music: Pondering the “original pathantaram-s of kriti-s” 

One of the debated topics in Carnatic music is the deviation by musicians from the so-called ‘original’ pathantaram of kriti-s. This article is not an attempt to provide a conclusive answer to end the debate but a constructive provocation and an invitation for opening up the topic for a wider debate. […] While in matters …

A storm of songs: India and the idea of the bhakti movement

by John Stratton Hawley Review by Vinay Lal (Professor of History & Asian American Studies, UCLA) in Canadian Journal of History: A Storm of Songs: India and the Idea of the Bhakti Movement by John Stratton Hawley: “The idea of a ‘‘bhakti movement’’ has long been one of the largely unexamined verities that have played …

The tambura’s role in perfect alignment to pitch: “The most beautiful way to discover music” – T.M. Krishna

To sing just with the tanpura has been revealing: TM KrishnaM Suganth | Times of India | Nov 27, 2014 | To read the full article, click here >>They had collaborated earlier for Margazhi Raagam, which was a first-of-its-kind Carnatic concert film and now, singer TM Krishna and filmmaker Jayendra have come together for One, …

Raga Hamsadhvani in: “India’s classical music may be the best antidote to chauvinism” by Ramachandra Guha

To read the full article by the internationally acclaimed author of India After Gandhi, click here >> After Partition, Bade Ghulam chose to move to Pakistan, but, finding the audience for classical music limited (in all senses of the word), wished to return to the Indian side of the border. In the 1950s, it was …

Perceptions of “Guru” now and then

A teacher teaches music – the curriculum, the techniques, the methods and so on, but a Guru teaches how to approach music: how to understand it, how to internalize it and how to enjoy it. […] Music is a lifelong pursuit and its emotions start sinking into you with more internal growth of the self …