Here’s a delightful “flow-exercise” of a different kind: nadai in rupaka tala Source: A rhythmical composition (nadai) in rupaka tala The Oxford Illustrated Companion to South Indian Classical Music (Table 22, p. 226)Audio: listen to a similar version: Excercise in Rupaka tala by TR Sundaresan | More >> South Indian music has a vast repertory …
Continue reading “Flow | And what about rhythm? – Let’s go on a musical walk!”
by Ludwig Pesch Carnatic music – the classical music of South India – unites people from a variety of social backgrounds. Over two hundred fifty million people now inhabit a region that comprises five modern states (Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, and Telangana) drawn up on the basis of their respective linguistic majorities. They take pride …
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An exercise for raga Kuntalavarali (YouTube) >> The above exercise is inspired by eminent Carnatic flautist Sikkil Mala Chandrasekhar rendering Bhogindra Sayinam (Kuntalavarali, Khanda capu) by Svati Tirunal Excerpt © HMV Marga 1996 cassette recording South Indian conventions (raga names & svara notation): karnATik.com | Guide >> raagam: kuntalavarALiAa: S M1 P D2 N2 D2 S | Av: S N2 D2 …
Mahatma Gandhi stamp set | Mahatma Gandhi and music >> The challenge of going beyond a “narrow understanding of classical” music has long been debated among performers and musicologists; whether for the sake of creativity and self-expression or ideals like “serving society through music”, even harnessing the healing power of music where most needed. So what about …
Continue reading “A lesson (thought experiment) inspired by Gandhi’s understanding of music”
Very few people know that Gandhi was extremely fond of Music and arts. Most of us have been all along under the impression that he was against all arts such as music. In fact, he was a great lover of music, though his philosophy of music was different. In his own words ‘Music does not …
Continue reading “Mahatma Gandhi on “music of mind, of the senses and of the heart””
