An exercise for raga Hamsadhvani (YouTube) >>Find song lyrics (composers) & translations for these and other ragas >> The above exercise is inspired by the rendition by eminent flautist J.A. Jayant (YouTube Channel):Gaayathi Vanamali by Sadasiva Brahmendra in Adi talaListen to a Varnam sung by Bhushany Kalyanaraman >> raagam: hamsadhvaniAa: S R2 G3 P N3 S | …
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sa = middle octave (madhya sthayi), ‘sa = higher octave (tara sthayi)Explore renditions of raga Mohana, raga Bhupalam, raga Revagupti & Hindustani rag Bhupali on YouTube >>Find song lyrics (composers) & translations for these and other ragas >> The above figures lend themselves to several ragas of Carnatic music: raagam: mOhanam = raagam: bhUpALi (derived from the …
sa = middle octave (madhya sthayi), ‘sa = higher octave (tara sthayi)Listen to a kriti (2nd item) sung by Bhushany Kalyanaraman >>Explore other renditions of raga Sriranjani and raga Hamsanandi on YouTube >>Find song lyrics (composers) & translations for these and other ragas > raagam: hamsAnandiAa: S R1 G3 M2 D2 N3 S | Av: S N3 …
sa = middle octave (madhya sthayi), ‘sa = higher octave (tara sthayi)Explore renditions of raga Mayamalavagaula, raga (Dhira)Sankarabharanam and raga (Meca)Kalyani on YouTube >>Listen to two kritis in ragas Simhendramadhyamam and Sankarabharanam (6th and 7th items)sung by Bhushany Kalyanaraman >>Find song lyrics (composers) & translations for these and other ragas >> raagam: mAyAmALavagauLaAa: S R1 G3 M1 …
More about this exercise Vocalists and instrumentalists practice pairs of notes (janta svara) with the aim of increasing fluency and precision. Janta phrases are embedded in many compositions heard in today’s concerts (notably varnam, kriti and tillana) and as part of improvised interludes (manodharma sangīta): kalpana svara and tanam as clearly heard in the following …
