More about this exercise Vocalists and instrumentalists practice pairs of notes (janta svara) with the aim of increasing fluency and precision. Janta phrases are embedded in many compositions heard in today’s concerts (notably varnam, kriti and tillana) and as part of improvised interludes (manodharma sangīta): kalpana svara and tanam as clearly heard in the following …
Category archives: Resources
Flow | Mela practice – svara pairs (3 counts)
Rūpaka tāla (3 counts/syllables) Lesson 4: “ta ki ta“- trikāla = 3 speeds Full lesson: Practice four widely used Carnatic talas >> Listen & learn more Listen to a rendition by Meera Seshadri in Rupaka tala (tala starting from 1:18): Bhupala Gitam (5 notes) >> Vocalists and instrumentalists practice pairs of notes (janta svara) with the …
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Time theory in Vivekananda’s Concepts of Indian Classical Music
Explore >> The notion of a particular time prescribed for ragas (gāna kāla) plays a greater role in Hindustani music than for exponents of its southern counterpart where sārvakālika ragas prevail: ragas suited to any day or night time. A few ragas nevertheless continue to be associated with the moods indicated by song lyrics (notably …
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How prehistoric societies were transformed by the sound of music
Amidst lively debates within and beyond India these perspectives on our shared legacy make interesting reading: Vainika Savithri Rajan who believed that Tyagaraja, like other great men, was always meditating, but his medium of expression was nādam, “sound”. In the introduction to his unfinished yet voluminous magnum opus Karunamirtha Sagaram, titled “The Dignity and Origin …
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Audio | Shobhillu Saptasvara: Abhyasa gana guided by Savithri Rajan
This production is based on the book Shobhillu Saptasvara: svarāvali, gītam, prabandham, sūlādi | Find a library copy on Worldcat.org >> Savithri Rajan provides a spoken “Introduction to Shobhillu Saptasvara” on the first track. View or download two excerpts from the book: (1) a gitam in standard notation (raga Hamsadhvani) and (2) an excerpt on the historical context and current …
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