In this part, I quote from my recording with S. Rajam on T.N. Rajarathinam Pillai, done in early 2007 [brief excerpts] “Carnatic music grew because of the nagaswaram. Our art originated in the temples — especially, dance and nagaswaram. During the daily three-time worship at temples, the nagaswaram would be played all the times. Source: …
Category archives: Periodicals
Oral transmission vs. notation in Carnatic music: Pondering the “original pathantaram-s of kriti-s”
One of the debated topics in Carnatic music is the deviation by musicians from the so-called ‘original’ pathantaram of kriti-s. This article is not an attempt to provide a conclusive answer to end the debate but a constructive provocation and an invitation for opening up the topic for a wider debate. […] While in matters …
Video | “There is more than one form of being a devadasi”: The complex world of India’s devadasis – Interview with filmmaker (Lady) Beeban Kidron
Interview with filmmaker Beeban Kidron, plus exclusive clips from her new film. Sex, Death and the Gods explores the complex world of India’s devadasi, girls devoted to a goddess and then sold for sex at puberty | Lindsay Poulton and Joanna Moorhead, theguardian.com, 21 January 2011 >> Documentary maker Beeban Kidron (4:49): “They [the devadasis themselves] …