At first, this question seems easy to answer: just watch performers from either strand of Indian music and you’ll know Which is Which, merely going by the instruments in use, or how they dress and watching the body language involved: harmonium or sarangi vs. violin for melodic accompaniment for most vocal recitals, and tabla drums …
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“Rasa is realised in from the combination of the sthāyibhāva (permanent and dominant emotional mood) with the vibhāva-s (the objects of emotions such as the hero and the heroine, and the exciting causes such as the spring, flowers, moonlight and the bower), anubhāva-s (the external manifestations of emotions such as the movement of the eye-brows, …
Continue reading ““Bhava” and “Rasa” explained by V. Premalatha”
Full screen viewing and download link: https://archive.org/details/voice-culture-and-singing-kalakshetra-quarterly-1983 Voice Culture and Singing by Friedrich Brueckner-Rueggeberg Peter Calatin (left) and Friedrich Brueckner-Rueggeberg (centre) with students atKalakshetra in 1983 © Ludwig Pesch This course material was originally produced for – and used by – teachers and students at Kalakshetra College of Fine Arts, today known as Rukmini Devi College Of …
