Yet another proof and a delightful one (if any were needed), that
“Music is the purest form of art, and therefore the most direct expression of beauty, with a form and spirit which is one, and simple, and least encumbered with anything extraneous. … No one of its notes is final, yet each reflects the infinite.” – Rabindranath Tagore (Sadhana, the Realisation of Life)
Related
- Live concert by Flute Jayanth’s grandfather T.S. Sankaran >>
- Why Carnatic Music Matters More Than Ever >>
Audio tip | JA Jayanth’s grandfather and guru TS Sankaran live at Kalakshetra >>
Related post
“Sampradaya is like a broad river and the bani is a tributary”: Umayalpuram Sivaraman on his 75 years of performance >>
Information about the persons, items or topics
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- The Oxford Illustrated Companion to South Indian Classical Music
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Learn & practice more
- A brief introduction to Carnatic music (with music examples and interactive map)
- Bhava and Rasa explained by V. Premalatha
- Free “flow” exercises on this website
- Glossary (PDF)
- Introduction (values in the light of modernity)
- PDF-Repository
- Video | Keeping tala with hand gestures: Adi (8 beats) & Misra chapu (7 beats)
- Voice culture and singing
- Why Carnatic Music Matters More Than Ever
- Worldcat.org book and journal search (including Open Access)
