Search results for: raga
Gitam | A song for learners to be sung with feeling
South Indian conventions (raga names & svara notation): shree gaNanatha, lambOdhara (geetham)raagam: malahari, 15 maayamaaLava gowLa janya | taaLam: roopakamAa: S R1 M1 P D1 S | Av: S D1 P M1 G3 R1 S m p | d S S R || R S | d p m p ||shree | ga Na naatha …
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Voice culture and singing
Full screen viewing and download link: https://archive.org/details/voice-culture-and-singing-kalakshetra-quarterly-1983 Voice Culture and Singing by Friedrich Brueckner-Rueggeberg This course material was originally produced for – and used by – teachers and students at Kalakshetra College of Fine Arts, today known as Rukmini Devi College Of Fine Arts. To enjoy some of the vocal (Flow-) exercises offered for free on …
8 x 8 beads for 6 notes
<< Swipe >> to reveal/to hide the svara syllables as sung Read like a text: left-to-right, top-to-bottom Some ragas are based on a selection of notes from the fundamental “seven notes” (saptasvara). In the present pattern it is the omission of the fifth note (pa) that characterizes two popular Carnatic ragas, Sriranjani and Hamsanandi. And …
S Rajam
Sangita Kalasikhamani S. Rajam (1919-2010) was an internationally renowned vocalist, composer and painter who guided leading performers including Vijayalakshmy Subramaniam. He is credited with defining the visual identity of South India’s classical music during his lifelong research of traditional idioms combined with his own creative expression of music through sounds, colours and textures. Even as a …