What makes one refer to Carnatic music as “classical or art music”?

Tyagaraja worried about many things — about the death of brahmanatva — the lofty way of thinking and living, of sham religiosity, of sycophancy, of Lord Rama’s reluctance to bestow grace. In one such song in the poignant raga Naganandini, he laments: sattaleni dinamunu vacchena Such days have come… Days that have no strength (sattu) … Read more

“Sri Saraswathi Chakra”: Understanding the melodic concepts of Carnatic, Hindustani and Western with the help of an innovative 72 Melakarta wheel

Many Carnatic ragas have their counterparts in western Music […] L.S.Ramesh, a Post Graduate from the reputed Indian Institute of Technology-I.I.T.Madras, has designed an Innovative Carnatic Music chakra (Sri Saraswathi 72 Melakarta chakra). […] This chakra requires no prior knowledge and has been appreciated by Music legends Dr. Mangalampalli Balamuralikrishna,Prince Rama Varma, Shri. Garimella Balakrishna Prasad … Read more

Nagasvaram (nadaswaram): The “auspicious” wind instrument without which no festive occasion is ever complete

Aparna Karthikeyan, The Hindu, April 11, 2015 | To read the full story and view more photographs, click here >>  It takes many days to make a block of wood sing. And it takes exceptionally talented craftsmen to do it. The four families who still make the nadaswaram by hand in Narasingapettai (a village near Kumbakonam, Tamil Nadu) … Read more

Tambura / Tanpura “tree of enlightenment” for Mallikarjun Mansur

N. Manu Chakravarthy, The Hindu,  September 22, 2011 It [2011] is the centenary year of the legendary Jaipur-Atrauli musician Mallikarjun Mansur. Unravelling the individual genius of the maestro is also the study of a living tradition  It is not easy to locate the greatness of Pandit Mallikarjuna Mansur and understand his relevance in our times. The … Read more