“Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered” by Ludwig Pesch (Amsterdam) in Music – Politics – Identity published by Goettingen University Music always mirrors and acts as a focal point for social paradigms and discourses surrounding political and national identity. The essays in this volume combine contributions on historical and present-day questions …
“Sri Saraswathi Chakra”: Understanding the melodic concepts of Carnatic, Hindustani and Western with the help of an innovative 72 Melakarta wheel
Many Carnatic ragas have their counterparts in western Music [...] L.S.Ramesh, a Post Graduate from the reputed Indian Institute of Technology-I.I.T.Madras, has designed an Innovative Carnatic Music chakra (Sri Saraswathi 72 Melakarta chakra). [...] This chakra requires no prior knowledge and has been appreciated by Music legends Dr. Mangalampalli Balamuralikrishna,Prince Rama Varma, Shri. Garimella Balakrishna Prasad …
“What Ragam Are You?” Absorbing the essence of ragas with a personal touch, literally! – YouTube
Nagasvaram (nadaswaram): The “auspicious” wind instrument without which no festive occasion is ever complete
Photo © The Hindu Aparna Karthikeyan, The Hindu, April 11, 2015 | To read the full story and view more photographs, click here >> It takes many days to make a block of wood sing. And it takes exceptionally talented craftsmen to do it. The four families who still make the nadaswaram by hand in Narasingapettai (a village near Kumbakonam, …
“Useful chapter on voice training” – A History of Singing
Ludwig Pesch, The Illustrated Companion to South Indian Classical Music (New Delhi: Oxford University Press, 1999) is a lengthy introduction to Carnatic music, with a useful chapter on voice training. John Potter and Neil Sorrell, A History of Singing. New York: Cambridge University Press, 2012. (Sources and references, p. 310)isbn 9780521817059